Naarappa is an official remake of Tamil blockbuster film Asuran. Sangeetha Devi Dundoo felt that Narappa is a narrative of revenge and the leading man’s transformation is reminiscent of Rajinikanth in Baashha . The movie explores various social issues in India, including caste discrimination and primarily shows the theme of “wealthy vs poor”. The core plot of the movie is influenced by the real-life Kilvenmani bloodbath that occurred in 1968 in Kizhavenmani village, Tamil Nadu.
Sinnappa youthful son of Narappa kills Panduswamy in revenge for the homicide of his brother. The Narappa household leaves the village to save heaps of the lifetime of their youngest son. Since Asuran was an acclaimed film, each critically and financially, the comparison between both movies are inevitable.
Suresh Babu and Kalaipuli S. Thanu under their respective banners Suresh Productions and V Creations. The movie stars Venkatesh, Priyamani, and Ammu Abhirami while Nassar, Rao Ramesh, Rajeev Kanakala, Brahmaji and Karthik Rathnam play supporting roles. For those who have not seen Asuran, the movie follows the lifetime of Narappa , who is an alcoholic farmer. He and his household face lots dan bilzerian without beard of issues, however Narappa chooses to surrender meekly every time, much to the frustration of his family members, who count on him to fight back. One of his sons takes the violent route which units off a series of problems for the whole family.
Narappa is an ageing alcoholic farmer who prefers to show the opposite cheek somewhat than fight again and stand up the oppression him and his peers face within the village. Unbeknownst to his hot-headed sons Munikanna and Sinappa he has a reason for being the way he is. What additionally they have no idea is that he has a painful, violent past and can go to any lengths to maintain them protected.
While Narappa is a body by frame remake, the essential difference lies in the means in which the problem is addressed. Asuran spoke about and criticised the caste system in a nuanced way, Narappa shies away from even utilizing the word ‘caste’. In most places, it reduces the caste points into a wealthy vs poor concern, which in flip reduces the impact the film has on the viewer.